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Bea Denton is an artist whose practice relies on photography and digital
media. Her interests focus largely on the notion of spirituality, religion
and faith in a contemporary context. Her work incorporates aspects of
her personal experience, beliefs and observations, although a participatory
aspect is implicit in the work, and outcomes are reliant upon the input
of those whose opinions are sought. The testimonies of individuals from
within a diverse community are offered voluntarily online, by post and
by word of mouth and are transcribed but not altered.
Denton's work is about storytelling, although truth is not the issue -
these are stories simply told which express recognition of something intangible
in the way of things. They are told as they were received, and a curious
bond is created between the storyteller and the listener.
We live in a society whose newfound religion is self-worship and whose
headline news is a celebration of public suffering and testimony. But
despite this spiritual poverty it seems that we have a need for hope that
is as great as our need to tell stories.
This work is about Faith, Confession, Pilgrimage, The Soul, Lost Souls,
The Afterlife, Miracles, Hope. It tells a story about hope born of the
fragile human condition, and our consequent pursuit of faith, however
illusive.
Bea
Denton is currently sacrificing her soul on the altar of education in
the eternal hope of securing a place in Heaven. As a consequence, updates
to this site will be irregular and infrequent.
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Host
Communion
hosts with letterpress |
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Where
is heaven - The End
Artist's book: Gesso wooden box with lid, lined with red baize,
and grey silk ribbon
6 Photo etching/aquatint prints/8 blind embossed prints on Hahnemuhle
German etching paper
(read
more...)
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Soul
imaging
Site-specific installation. Giclee prints mounted on board.
Soul Imaging is a series of photographs created in a transition
from photography to projection; from projection, through a Camera
Obscura and from there back to photography.
(read
more…)
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Via
Dolorosa
Site-specific installation. Screen prints; MDF mount
This site-specific work draws upon the narrative aspects of the 14
Stations of the Cross. The images are taken from one of the 21st Century's
most well-known and controversial TV series, Channel 4's Big Brother.
It is an observation of a new 'religion' that worships Celebrity...
(read more…)
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Confessions
(Show and Tell)
Installation. Helio relief/sandblasted glass on shelves.
This body of work examines the notion of Confession in contemporary
setting and interprets it as a form of modern-day story-telling and
catharsis. Advertisements were placed in several publications requesting
'Secrets and Confessions'...
(read more…)
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Where
is Heaven?
Installation. Granite, slate, basalt. Printed news sheet. Photographic
imagery etched into granite, slate and basalt. Printed news sheet.
A5 sheets of Hannemuhle paper attached with silver clips.
Where is Heaven? Is an investigation into contemporary views about
the notion of the afterlife, and a struggle with the acceptance of...
(read more...) |
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Modern-day
Miracles
Installation. 7 lenticular photographic images, an interactive sound
installation using hypersonic speakers, and a book printed in a limited
edition of 500.
A dedicated website, printed cards and advertisements placed in London-wide
publications, invited anecdotal evidence of modern-day miracles. The
installation is...
(read more…) |
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Seeing
is Believing
Installation. Helio relief/sandblasted layered reeded glass; lightboxes
Do we always believe what we see? Do we allow ourselves to see only
what we want to see? How do we want to be perceived? And is our own
self-perception a finely crafted deceit? The work uses illusion as
a metaphor for the mystery of death
(read more...) |
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